[identity profile] ex-shitsu-to509.livejournal.com posting in [community profile] writers_loft
Hey everyone I'm new to this comm and my main interest is in writing comedy. I was wondering if anyone here writes comic fiction and whether or not people think it has different rules. Does anyone have any 'golden rules' when it comes to bringing the funny to the page?

Date: 2009-07-10 01:22 am (UTC)
From: [identity profile] flamingruby.livejournal.com
Watch cartoons for gag ideas and homage ideas

Date: 2009-07-10 02:13 am (UTC)
From: [identity profile] placeofinsanity.livejournal.com
Don't try to be funny. Forced humour often falls short and sounds exactly what it is - forced. Humour should be natural, if you have trouble, find something that you or your friends would find funny on occasion, and write about that.

Date: 2009-07-10 02:39 am (UTC)
ext_9605: A lungfish with the caption "Where are my eggs benedict?" -- because animals asking for strange food is funny! (Default)
From: [identity profile] dunmurderin.livejournal.com
The rules of writing are pretty much the same regardless of the genre you're writing in, but comedy writing has its own particular set of difficulties. Like sex, comedy is a highly subjective thing -- what makes one person laugh makes another person roll their eyes.

For me, comedy is something that has to grow out of the characters and/or the situation. It should be natural, not something that's forced -- which is easy to say but not so easy to describe, but here's a shot:

Natural humor is something that comes out of the situation -- for example, The Office draws a lot of its humor from corporate culture. Red Dwarf, a British science fiction comedy, draws on the idea of making two of the main characters the maintenance crew on a giant spaceship. P.G. Wodehouse's Jeeves and Wooster stories center on the idiocy of Bertie contrasted with the supreme efficiency of Jeeves. Once you know the point where the humor is supposed to come from, it becomes easier to draw it out into the story.

Forced humor is that which doesn't come from the situation, but which is pushed into it. It's jokes for the sake of jokes, situations that rely on everybody in the setting being a complete idiot and/or ignoring common sense in order for the joke to work. A lot of romantic and/or situation comedies rely on this kind of idiot plotting -- ditto a lot of 80s teen sex comedies.

The best way to work on comedy writing, besides writing it, is to study comedy in various forms -- standup routines, funny movies, funny shows, funny books and see what does and doesn't make them work.

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