question about technique
Jan. 23rd, 2009 12:47 pm![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
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I am struggling with a technical problem - hopefully I can explain it in a way that makes sense.
I'm writing a story with a limited third person point of view - e.g. the entire narrative is funneled through the awareness of a particular character. However, I want to get aspects of other characters' views/personalities, etc. across to the reader that the main character would not necessarily be aware of. In other words, I want there to be more in what the main character sees/notices/hears than she herself realizes. And I'm struggling with how to do this.
Has anyone addressed this problem? Or - any recommendations of novels or short stories where this kind of thing is done well?
Thanks!
I'm writing a story with a limited third person point of view - e.g. the entire narrative is funneled through the awareness of a particular character. However, I want to get aspects of other characters' views/personalities, etc. across to the reader that the main character would not necessarily be aware of. In other words, I want there to be more in what the main character sees/notices/hears than she herself realizes. And I'm struggling with how to do this.
Has anyone addressed this problem? Or - any recommendations of novels or short stories where this kind of thing is done well?
Thanks!
no subject
Date: 2009-01-24 01:20 pm (UTC)post a little bit of it and i will try to help more
no subject
Date: 2009-01-24 04:22 pm (UTC)The first parts of the rough draft are here (http://baltimoreandme.livejournal.com/26325.html), here (http://baltimoreandme.livejournal.com/28156.html) and here (http://baltimoreandme.livejournal.com/30912.html).
What I am concerned about is the character called Abigail - I want to give the reader a sense that what she is actually like is quite distinct from what the main character, Christine, thinks she is like, but as a result I think it's just confusing.